Central to my practice is the fusion between two cultures, not from a distance but through direct contact—with ateliers in two countries, Luxembourg (Esch-sur-Alzette) and Japan (Kyōto); materials sourced directly from Japanese artisans; and the ongoing exchange with local masters. The combination of my contemporary graphic approach and the traditional craft of Japanese woodblock printing, paired with references to familiar symbols and poetry, directly resonates with the public in both countries.

In dialogue with artists of the European ‘Japonisme’ movement around 1900 and Japanese masters of the modern era, my artworks are composed through the interplay between graphic and flat shapes, outlines, and white space. To reduce any distraction from the main components and the underlying message, I have purposefully chosen a minimalistic color palette for my entire oeuvre. Botanical elements such as flowers, leaves, and trees symbolize the healing power of nature, from which I regularly draw my strength.

My artworks arise from an engagement with fleeting moments of intense emotion—triggered by a sense of constrict or overwhelm. In search for comfort, I delve deep into my inner self and develop a strength which leads to spontaneous self expression. As I let my pencil glide across the sketchbook, meticulously carve the wood with my knives, and carefully press the pigments into the paper with my baren, the initial energy of the emotion is transformed into relief and trust. Knowing that viewers find solace and draw strength from my prints spurs me on.